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He has fantastic cheekbones, disproportionately large ears and full, sensuous lips that fall open slightly as he studies the menu, as if pulled apart by his heavy lower jaw. He decides on an endive salad without the egg, a roast breast of chicken with vegetables and he recommends the steak for me.

I have to discipline myself to go out now, whereas before it was the other way round. I run in the park in the mornings. I read scripts and work on my own scripts. I go to museums and art exhibitions and restaurants. I see a lot of my family. I have a lot of friends. I still see a lot of my old friends from the neighbourhood. I like to date women — I enjoy having a girlfriend. I have a lot of female friends also which often gets misinterpreted. Looking back to his teenage years, when fame and fortune snatched him away from the local greaser gang, when his picture was suddenly pinned to the walls of a million girlish bedrooms, how does he think it all affected him?

Most of the kids in the movie were straight out of reform school, everyone was taking all kinds of drugs, I fell in love with a girl named Buzz, a beautiful redhead. The whole thing was just an amazing, life-changing experience. The worst thing, he says, was the damage to his schooling. I would show up sometimes but it was only for the girls. Then in I enrolled at the Lee Strasberg Institute [the drama school in New York] which helped me develop my skills as an actor but mainly I was interested in hooking up with the girls and I found a wonderful girl there and fell in love again.

As a result of all that I have serious deficiencies in my education. I try to read a lot of books and ask questions of people who are experts in their fields but without that general grounding in literature, the classics, philosophy, history, the arts, it can be hard to see how it all relates to each other. But I enjoy it, the process of learning.

I've got a lot of curiosity about the world and travelling has probably taught me as much as anything. His one area of true expertise is music. When he arrives in a new town or city, he hunts out the second-hand shops and flea markets for vinyl records. When he's filming on location he brings a portable turntable and a box of his latest finds.

I love modern art, I love literature and poetry but for me music is the highest art form. The book on his table is Oryx and Crake by the estimable Margaret Atwood, 'scary, fascinating stuff'. His favourite non-fiction writer is the Polish master Ryszard Kapuscinski. He can quote Yeats by heart. When it comes to books, music, art, food, wine, cigars and clothes, he is a man of discerning tastes. So why, as an actor, has he chosen to ply his trade in so many mediocre, formulaic, second-rate films?

Sometimes you think it has a good chance of succeeding artistically and it just doesn't work out like you hoped. As an actor I don't like to do stuff that I don't feel passionately about, but sometimes that's all there is. That's why I write. I need to have something creative to work on that I care about. Otherwise I find myself getting depressed.

It was released in but was nearly eight years in the making, mainly because he decided it had to be filmed in Cambodia, where no one had made a film since He became fascinated with the country — the interplay of ruined French colonialism, Buddhism, lawlessness and the subsiding horror of the Khmer Rouge — while travelling through the Far East with friends and discovered from a newspaper article that some of the world's most wanted criminals were taking refuge there.

The storyline is a little hackneyed in parts but for a first attempt at directing, amid conditions of dysentery, heatstroke, troublesome monkeys and elephants, corrupt officials, warlords, persistent fog and irregular funding, it wasn't bad at all.

As an actor he seems to have found a sweet spot in his career. Not only is there Crash. Later this year you will be able to see him in Factotum, a low-budget independent film directed by the Norwegian Bent Hamer about the early years of Charles Bukowski, the iconoclastic, proudly alcoholic American writer and poet. I told them that I couldn't do a Bukowski impersonation and that was fine with them. In preparation, Dillon read and re-read all of Bukowski's prodigious output.

He spoke with his widow Linda and other people who knew him, and went through photographs and recordings. Factotum is a low-key and deadpan film, destined for good reviews and modest distribution, and, for me, it contains the best performance of Dillon's career.

He captures the essence of Bukowski in a subtle and uncanny way, especially given how different they look. The actor receives the compliment with a tilting of the eyebrows and an appreciative nod.

He has a third film out this year that he would like to skate over quickly. So, what else do you want to talk about? The question of fame. Dillon was discovered at the same time as Tom Cruise. They were both in The Outsiders with Dillon taking top billing it was his seventh film. They are often compared by industry journalists who wonder why Dillon never became as famous and successful.

Would you want be more famous, I ask. Is that what you want on your tombstone: She was really famous? I've got some work I'm really proud of and some other stuff that I hope stays in the dustbin but I never made decisions on the basis of whether I was going to get more famous. A waiter informs him that a Lincoln Navigator is waiting for him outside the restaurant.

With an apology, a handshake and a round of thanks to the waiters he makes his exit and just as at Harlem Meer he leaves behind a feeling of goodwill. Nice guy, you think. Or good bloke if you're English. PantyhoseTales Movie: Gertie and Govard. Mummified Sex Object Bella Rossi gets fucked hard. Chair Girl. Wasteland Video: Making the Slut Cum. Tender Tease JO Instructor. PantyhoseLine Scene: Gertie and Cyrus. PantyhoseLine Video: Aubrey and Jake. Toyed restrained submissive queens babe.

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